Showing posts with label biography. Show all posts
Showing posts with label biography. Show all posts

Tuesday, May 11, 2010

Thurgood Marshall



Landmark Triumph in 1954

His greatest legal victory came in 1954 with the Supreme Court's decision in Brown v. Board of Education, which declared an end to the "separate but equal" system of racial segregation then in effect in the public schools of 21states.

Despite the years of turmoil that followed the unanimous decision, the Court left no doubt that it was bringing an end to the era of official segregation in all public institutions. Many questions lingered after so monumental a transformation, and the Court continued to confront issues involving the legacy of segregation even after Justice Marshall retired.

As a civil rights lawyer, Mr. Marshall devised the legal strategy and headed the team that brought the school desegregation issue before the Court. An experienced Supreme Court advocate by that time, he argued the case himself in the straightforward, plain-spoken manner that was the hallmark of his courtroom style. Asked by Justice Felix Frankfurter during the argument what he meant by "equal," Mr. Marshall replied, "Equal means getting the same thing, at the same time, and in the same place."

He won many other important civil rights cases, including a challenge to the whites-only primary elections in Texas. This device was commonly used by white Southern politicians to disenfranchise blacks.

He also won a major Supreme Court case in which the Court declared that restrictive covenants that barred blacks from buying or renting homes could not be enforced in state courts.

'Heroic Imagination' In a Ruthless World

Mr. Marshall, who was born and reared in Baltimore, was excluded from the all-white law school at the University of Maryland. Later he brought successful lawsuits that integrated not only that school but also several other state university systems. He received his legal education at the law school of Howard University in Washington, D.C., the nation's pre-eminent black university, where he graduated first in his class in 1933 and made the personal and intellectual connections that shaped his future career.

Years later, the University of Maryland named its law library for him, and the City of Baltimore honored him by placing a bronze likeness, more than eight feet tall, outside the Federal courthouse.

"To do what he did required a heroic imagination," Paul Gewirtz, one of Justice Marshall's former law clerks, wrote in a tribute published after the Justice retired from the Court.

The article by Mr. Gewirtz, the Potter Stewart Professor of Constitutional Law at Yale Law School, continued: "He grew up in a ruthlessly discriminatory world -- a world in which segregation of the races was pervasive and taken for granted, where lynching was common, where the black man's inherent inferiority was proclaimed widely and wantonly. Thurgood Marshall had the capacity to imagine a radically different world, the imaginative capacity to believe that such a world was possible, the strength to sustain that image in the mind's eye and the heart's longing, and the courage and ability to make that imagined world real."

Yet Justice Marshall was not satisfied with what he had achieved, believing that the Constitution's promise of equality remained unfulfilled and that his work was therefore unfinished.

A Voice of Anger And Disappointment

For much of his Supreme Court career, as the Court's majority increasingly drew back from affirmative action and other remedies for discrimination that he believed were still necessary to combat the nation's legacy of racism, Justice Marshall used dissenting opinions to express his disappointment and anger.

In 1978, for example, in the Bakke case, in which the Court found it unconstitutional for a state-run medical school to reserve 16 of 100 places in the entering class for black and other minority students, Justice Marshall filed
a separate 16-page opinion tracing the black experience in America.

"In light of the sorry history of discrimination and its devastating impact on the lives of Negroes," he wrote, "bringing the Negro into the mainstream of American life should be a state interest of the highest order. To fail to do so is to insure that America will forever remain a divided society."

He dissented in City of Richmond v. Croson, a 1989 ruling in which the Court declared unconstitutional a municipal ordinance setting aside 30 percent of public contracting dollars for companies owned by blacks or members of other minorities. The Court majority called the program a form of state-sponsored racism that was no less offensive to the Constitution than a policy officially favoring whites.

In his dissenting opinion, Justice Marshall said that in reaching that conclusion "a majority of this Court signals that it regards racial discrimination as largely a phenomenon of the past, and that government bodies need no longer preoccupy themselves with rectifying racial injustice."

He added: "I, however, do not believe this nation is anywhere close to eradicating racial discrimination or its vestiges. In constitutionalizing its wishful thinking, the majority today does a grave disservice not only to those victims of past and present racial discrimination in this nation whom government has sought to assist, but also to this Court's long tradition of approaching issues of race with the utmost sensitivity."

'Great Dissenter' As Political Prophet

Although he wrote a number of important majority opinions for the Court, his most powerful voice was in dissent, and not only in the area of racial discrimination. Like his friend and closest ally, Justice William J. Brennan Jr., who retired the year before he did, Justice Marshall believed that the death penalty was unconstitutional under all circumstances. He dissented from all decisions in which the Court upheld application of the death penalty, and he wrote more than 150 dissenting opinions in cases in which the Court had refused to hear death penalty appeals.

In an article published after his retirement, Kathleen M. Sullivan, a Harvard Law School professor, called Justice Marshall "the great dissenter."

"We may read his eloquent admonitions in dissent as prophecies for another (perhaps distant) era when the political pendulum swings again," Professor Sullivan wrote. "With his departure goes part of the conscience of the Court -- a reminder of the human consequences of legal decisions."

While the phrase "first black Supreme Court Justice" was attached so often to his name that it appeared to be part of his official title, it was a partial definition at best, scarcely encompassing the unusual range of legal experience that Justice Marshall brought to the Court.

By the time President Lyndon B. Johnson named him to succeed Justice Tom C. Clark, who had retired, Mr. Marshall had argued 32 cases before the Supreme Court and won 29 of them. He argued 14 of those cases as a private lawyer and 18 as Solicitor General of the United States, the Federal Government's chief advocate in the Supreme Court. President Johnson had named him to that position in 1965, two years before nominating him to the Supreme Court.

From 1961 to 1965, Thurgood Marshall was a Federal appeals court judge, named by President John F. Kennedy to the United States Court of Appeals for the Second Circuit, in Manhattan. He wrote 112 opinions on that court, none of which was overturned on appeal. Several of his dissenting opinions were eventually adopted as majority opinions by the Supreme Court.

He had at first been hesitant to accept President Kennedy's offer of a seat on the appeals court, fearing that his allies in the civil rights movement would think that he was deserting the struggle. "I had to fight it out with myself," he said in an interview some years ago. "But by then I had built up a staff -- a damned good staff -- an excellent board, and the backing that would let them go ahead. And when one has an opportunity to serve the Government, he should think twice before passing it up."

The Thurgood Marshall whom the public saw in his old age was a gruff, lumbering figure, his pace slowed by extra pounds and shortness of breath, his eyesight impaired by glaucoma. Outspoken and impolitic, he stirred up minor storms by making cutting remarks in public, highly unusual for a Supreme Court Justice, about major public figures.

"I wouldn't do the job of dogcatcher for Ronald Reagan," he said in an interview in 1989. The next year, referring to President Bush, he said in a televised interview: "It's said that if you can't say something good about a dead person, don't say it. Well, I consider him dead."

Behind the Mask, A Fine Storyteller

In the courtroom Justice Marshall's face was an inscrutable mask. He said little during the argument sessions, growling occasionally at lawyers who were struggling lamely through their arguments and sometimes training his sarcasm on his own colleagues. During a death penalty argument in 1981, William H. Rehnquist, then an Associate Justice, suggested that the inmate's repeated appeals had cost the taxpayers too much money. Justice Marshall interrupted, saying, "It would have been cheaper to shoot him right after he was arrested, wouldn't it?"

But those who knew him well said that behind the mask was a man with an earthy sense of humor, a spellbinding storyteller with an anecdote from his own long life for every occasion.

Justice Brennan, in a tribute to his friend published in the Harvard Law Review, wrote about Justice Marshall's storytelling abilities. "The locales are varied -- from dusty courtrooms in the Deep South, to a confrontation with General MacArthur in the Far East, to the drafting sessions for the Kenyan Constitution," Justice Brennan wrote. "They are brought to life by all the tricks of the storyteller's art: the fluid voice, the mobile eyebrows, the sidelong glance, the pregnant pause and the wry smile."

The stories were meant not only to entertain but also to serve "a deeper purpose," Justice Brennan said.

"They are his way of preserving the past while purging it of its bleakest moments," he said. "They are also a form of education for the rest of us. Surely, Justice Marshall recognized that the stories made us -- his colleagues -- confront walks of life we had never known."

Many of his stories recalled the hostility, the harassment and, not infrequently, the danger he had faced as a civil rights lawyer, traveling some 50,000 miles a year throughout the South representing black clients and unpopular causes. One story he told was of being arrested on a trumped-up charge of drunken driving while leaving a Tennessee town in which he and a colleague had just won an acquittal for a black defendant.

As Justice Marshall recounted the incident in an interview, he was brought before a magistrate, who told him: "If you're not drunk, will you take my test? Will you blow in my face? I'm a teetotaler and I can smell the least bit of whisky."

"He was a short man," recalled Justice Marshall, who was himself 6 feet 2 inches tall and weighed well over 200 pounds. "I put my hands on his shoulders and breathed just as hard as I could into the man's face." The case was dismissed.

"We drove to Nashville," the Justice added. "And then, boy, I really wanted a drink!"

Thurgood Marshall was born in Baltimore on July 2, 1908. His mother, the former Norma Williams, was a teacher. His father, William Marshall, had once worked as a Pullman car waiter and later became a steward at the exclusive, all-white Gibson Island Club on Chesapeake Bay. A great-grandfather had been taken as a slave from the Congo to the Eastern Shore of Maryland, where the slaveholder eventually freed him.

Mr. Marshall was named for his paternal grandfather, who had chosen the name "Thoroughgood" when he enlisted as a private in the Union Army during the Civil War. His grandson later explained that he adopted the spelling
"Thurgood" in grade school because he "got tired of spelling all that out."

He described himself as a "hell-raiser" in school, a circumstance that gave him exposure to the Constitution and lifelong respect for it. "Instead of making us copy out stuff on the blackboard after school when we misbehaved, our
teacher sent us down into the basement to learn parts of the Constitution," he once recalled. "I made my way through every paragraph."

In high school years in Baltimore, he worked as a delivery boy for a women's clothing store after classes. He waited on tables to help pay the tuition at Lincoln University in Chester, Pa., where he said he "majored in hell-raising."
He was expelled once for hazing freshmen, but after being readmitted he became a star debater and graduated with honors in 1930.

His mother wanted him to become a dentist, a safe and lucrative career for a black professional in those days, but he was determined to become a lawyer. Enrolling at Howard University Law School meant a long daily commute from Baltimore because he could not afford housing at the school. His mother pawned her wedding and engagement rings to pay the law school's entrance fees.

At Howard he met a man who would influence the course of his life, Charles Hamilton Houston, then the law school's vice dean. Mr. Houston, a Harvard Law School graduate who later served as chief counsel to the National
Association for the Advancement of Colored People and who became the first black lawyer to win a case before the Supreme Court, imbued his students with the goal of using the law to attack institutional racism.

"Charlie Houston insisted that we be social engineers rather than lawyers," Justice Marshall said in an interview published in the American Bar Association Journal in 1992.

The Justice often credited Mr. Houston, who died in 1950 at the age of 54, as his mentor. Referring to the 1954 Brown v. Board of Education decision, he said in the bar association interview: "The school case was really Charlie's victory. He just never got a chance to see it."

A Basic Strategy To End Segregation

After earning his law degree Mr. Marshall opened a law office in Baltimore. The nation was in the fourth year of the Depression. He found himself handling civil rights cases for impoverished clients and was soon $1,000 in debt. But his courtroom victories, including his successful challenge to segregation at the University of Maryland Law School, began to be noticed. In 1936 Mr. Houston, by then the chief counsel of the N.A.A.C.P., recruited him for a $2,600-a-year job on the organization's legal staff in New York. Two years later, when Mr. Houston returned to Washington, Mr. Marshall succeeded to the chief counsel's title but continued to work closely with his mentor.

Pursuing a long-range strategy to eradicate segregation, the two men concentrated first on graduate and professional schools, believing that white judges were most likely to be offended by segregation in that setting and to sympathize with the ambitious young black college graduates who were the plaintiffs in the cases. As successes mounted, the two turned their attention to segregation in public high schools and elementary schools.

"Under Marshall, the N.A.A.C.P.'s legal staff became the model for public interest law firms," Mark Tushnet, one of the Justice's biographers who was also one of his law clerks, wrote in the American Bar Association Journal. "Marshall was thus one of the first public interest lawyers. His commitment to racial justice led him and his staff to develop ways of thinking about constitutional litigation that have been enormously influential far beyond the areas of segregation and discrimination."

In its public school cases, the initial focus of the N.A.A.C.P., and later of the NAACP Legal Defense and Educational Fund, which became a separate entity in 1957, was to seek to equalize the resources available to the all-black schools in segregated systems. Mr. Marshall persuaded the organization's board to abandon that approach and to refuse to take on any cases that did not challenge the fact of segregation itself.

The new policy was controversial within the N.A.A.C.P. and prompted resignations by several black lawyers on whom the organization had relied to handle cases in the South. Mr. Marshall was not deterred, and took on many of the cases himself. He traveled constantly and was in charge of as many as 450 cases at a time. "I was on the verge of a nervous breakdown for a long time, but I never quite made the grade," he once said.

Robert L. Carter, an associate of Mr. Marshall's from those days who later became a Federal district judge in New York, recalled their travels through the South in an article published in The Harvard Law Review.

"Having grown up in Maryland, Marshall had a slight Southern accent," Mr. Carter wrote. "But when our opponents were Southern lawyers, which was virtually all the time, his accent would become much more pronounced. Before and after the case was called, Marshall would joke with the opposing counsel or exchange some pleasantry, all in a Southern accent so broad that he sounded as if he had lived all his life in the deep rural South. The practice irritated me at first. The very lawyers Marshall's Southern drawl would put at ease were defending a system we detested."

Mr. Carter wrote that he gradually understood that his friend "was attempting to communicate to these men that, although we were on opposite sides of an emotionally charged lawsuit, we were lawyers representing our clients and
had no personal quarrel with each other."

'The Right Man And the Right Place'

By 1961, when President Kennedy named him to the Federal appeals court, Thurgood Marshall was the best known black lawyer in the United States. A group of Southern senators held up his confirmation for months, and he served initially under a special appointment made during a Congressional recess. Six years later, President Johnson said that placing Judge Marshall on the Supreme Court was "the right thing to do, the right time to do it, the right man and the right place."

Liberals still dominated the Court in the closing years of Chief Justice Earl Warren's tenure, and Justice Marshall fit in comfortably with such colleagues as Justices Brennan and William O. Douglas. In his early years on the Court, Justice Marshall cast only a handful of dissenting votes.

Inexorably, the ideological landscape changed. By the time Justice Marshall announced his retirement, on June 27, 1991, he had served longer than all but one of the sitting Justices -- Byron R. White, who was named by President Kennedy in 1962 -- and was more liberal than any of them. In his final term he dissented in 25 of 112 cases.

Among Justice Marshall's important majority opinions for the Court was Amalgamated Food Employees Union v. Logan Valley Plaza, in 1968, which held that a shopping center was a "public forum" much like an old downtown
city street, from which the private owners could not exclude picketers.

His majority opinion in Stanley v. Georgia, in 1969, held that the private possession of pornography could not be subject to prosecution. "If the First Amendment means anything," he wrote in that case, "it means that a state has
no business telling a man, sitting alone in his own house, what books he may read or what films he may watch."

He wrote the majority opinion in Bounds v. Smith, a 1977 case holding that state prison systems are constitutionally obliged to provide inmates with "adequate law libraries or adequate assistance from persons trained in the law."

A Vigorous Dissent In a Schools Case

One of his best known dissents was a 63-page opinion in a 1973 case, San Antonio School District v. Rodriguez. The majority in that case held, by a 5-to-4 vote, that the Constitution's guarantee of equal protection was not violated by the property tax system used by Texas and most other states to finance public education. Under the system districts with generous tax bases can afford to provide better schools than less wealthy districts.

In his dissenting opinion, Justice Marshall accused the majority of an "unsupportable acquiescence in a system which deprives children in their earliest years of the chance to reach their full potential as citizens."

He argued that the right to an education should be regarded as a "fundamental" constitutional right, and that state policies that have the effect of discriminating on the basis of wealth should be subject to especially searching judicial scrutiny.

"In my judgment," he wrote, "the right of every American to an equal start in life, so far as the provision of a state service as important as education is concerned, is far too vital to permit state discrimination on grounds as tenuous as those presented by this record."

Justice Marshall had often said that he did not plan to retire, so his decision at the end of the 1990-91 term took both the Court and the country by surprise.

One person familiar with the Court recalled that when Justice Marshall informed his colleagues of his plan, at the Justices' final private conference of the term, even the members of the Court who had clashed with him long and often on matters of law and policy were deeply moved. Exclaiming "Oh, Thurgood!" Chief Justice Rehnquist embraced Justice Marshall in a bear hug. Justice Sandra Day O'Connor wept.

Justice Marshall, a few days shy of his 83d birthday, gave health as the reason for his retirement. At a news conference the next day he was asked, "What's wrong with you, sir?"

"What's wrong with me?" Justice Marshall replied. "I'm old. I'm getting old and coming apart."

Justice Marshall's first wife, the former Vivien Burey, whom he married in 1929, died of cancer in February 1955. In December of that year he married Cecilia Suyat, known as Cissy. They had two sons, Thurgood Jr., legislative-affairs coordinator for the Office of the Vice President and previously a lawyer on the staff of the Senate Judiciary Committee, and John, a member of the Virginia state police.

Arlington National Cemetery Website

Thursday, March 27, 2008

Richard Widmark Dies at 93

Mini Biography

Richard Widmark established himself as an icon of American cinema with his debut in the 1947 film noir Kiss of Death (1947) in which he won a Best Supporting Actor Academy Award nomination as the killer "Tommy Udo". Kiss of Death (1947) and other noir thrillers established Widmark as part of a new generation of American movie actors who became stars in the post-World War II era. With fellow post-War stars Kirk Douglas and Robert Mitchum, Widmark brought a new kind of character to the screen in his character leads and supporting parts: a hardboiled type who does not actively court the sympathy of the audience (although Mitchum's hangdog demeanor marked him as the most endearing of the three). Widmark was not afraid to play deeply troubled, deeply conflicted, or just down right deeply corrupt characters. After his debut, Widmark would work steadily until he retired at the age of 76 in 1990, primarily as a character lead. His stardom would peak around the time he played the U.S. prosecutor in Judgment at Nuremberg (1961) as the 1950s segued into the 1960s, but he would continue to act for another 30 years.

Richard Widmark was born on Boxing Day (the Day After Christmas) in 1914 in Sunrise, Minnesota. He says that he loved the movies from his boyhood, claiming "I've been a movie bug since I was 4. My grandmother used to take me". The teen-aged Widmark continued to go to the movies, and was thrilled by Dracula (1931) and Frankenstein (1931). "I thought Boris Karloff was great", Widmark said. Although he loved the movies and excelled at public speaking while attending high school, Widmark attended Lake Forest College with the idea of becoming a lawyer. However, he won the lead role in a college production of, fittingly enough, the play "Consellor-at-Law", and the acting bug bit deep. After taking his bachelor of arts degree in 1936, he stayed on at Lake Forest as the Assistant Director of Speech and Drama. However, he soon quit the job and moved to New York to become an actor, and by 1938, he was appearing on radio in "Aunt Jenny's Real Life Stories". He made his Broadway debut in 1943 in the play "Kiss and Tell", and continued to appear on stage in roles that were light years away from the tough cookies he would play in his early movies. After World War II, he was signed by 20th Century Fox to a seven-year contract. After seeing his screen-test for the role of "Tommy Udo", 20th boss Darryl F. Zanuck insisted that the slight, blonde Widmark - no one's idea of a heavy, particularly after his stage work - be cast as the psychopath in Kiss of Death (1947), which had been prepared as a Victor Mature vehicle. Even though the role was small, Widmark stole the picture. 20th Century Fox's publicity department recommended that exhibitors market the film by concentrating on thumbing the tub for their new anti-hero.

"Sell Richard Widmark" advised the studio's publicity manual that an alert 20th Century Fox sent to theater owners. The manual told local exhibitors to engage a job-printer to have "Wanted" posters featuring Widmark's face to be printed and pasted up.

He won a Golden Globe and an Oscar nod for the part, which lead to an early bout with typecasting at the studio.

Widmark played psychotics in The Street with No Name (1948) and Road House (1948), and held his own against new Fox superstar Gregory Peck in the William A. Wellman's Western, Yellow Sky (1948), playing the villain, of course. When he finally pressured the studio to let him play other parts, his appearance as a sailor in Down to the Sea in Ships (1949) made headlines: "Life" magazine's March 28, 1949 issue featured a three-page spread of the movie, headlined, "Widmark the Movie Villain Goes Straight". He was popular, having captured the public imagination, and before the decade was out, his hand and foot prints were immortalized in concrete in the court outside Grauman's Chinese Theatre in Hollywood.

The great director Elia Kazan cast Widmark in his thriller Panic in the Streets (1950) not as the heavy - that role went to Jack Palance - but as the physician who tracks down Palance, who has the plague, in tandem with detective 'Paul Douglas'. Widmark was establishing himself as a real presence in the genre that later would be hailed as "film noir".

Having proved he could handle other roles, Widmark didn't shy away from playing heavies in quality pictures. The soon-to-be-blacklisted director Jules Dassin cast him in one of his greatest roles, as the penny-ante hustler Harry Fabian in Night and the City (1950). Set in London, Widmark's Fabian manages to survive in the jungle of the English demimonde, but is doomed. Widmark was masterful in conveying the desperation of the criminal seeking to control his own fate but who is damned, and this performance also became an icon of film noir. In that same year, he appeared in Oscar-winning writer-director Joseph L. Mankiewicz's "No Way Out" as a bigot who instigates a race riot.

As the 1950s progressed, Widmark played in Westerns, military vehicles, and his old stand-by genre, the thriller. He appeared with Marilyn Monroe (this time cast as the psycho) in "Don't Bother to Knock" (1953) and made "Pick Up on South Street" that same year for director Samuel Fuller. His seven-year contract at Fox was expiring, and Zanuck - who would not renew the deal - cast him in the Western Broken Lance (1954) in a decidedly supporting role, billed beneath not only Spencer Tracy but even Robert Wagner and Jean Peters. The film was well-respected, and it won an Oscar nomination for best screenplay for the front of Hollywood 10 blacklistee Albert Maltz.

Widmark left Fox for the life of a freelance, forming his own company, Heath Productions. He appeared in more Westerns, adventures and social dramas, and pushed himself as an actor by taking the thankless role of The Dauphin in Otto Preminger's adaptation of 'George Bernard Shaw''s "Saint Joan" (1957), a notorious flop that didn't bring anyone any honors, neither Preminger, his leading lady Jean Seberg or Widmark. In 1960, he was appearing in another notorious production, 'John Wayne''s ode to suicidal patriotism, " The Alamo" (1960), with the personally liberal Widmark playing Jim Bowie in support of the very-conservative Wayne's Davy Crockett. Along with character actor Chill Wills, Widmark arguably was the best thing in the movie.

In 1961, Widmark acquitted himself quite well as the prosecutor in producer-director Stanley Kramer's "Judgment at Nuremberg" (1961), appearing with the Oscar-nominated Spencer Tracy and the Oscar-winning 'Maximilian Schell', as well as with superstar Burt Lancaster and acting genius Montgomery Clift and the legendary 'Judy Garland' (the latter two winning Oscar nods for their small roles). Despite being showcased with all this thespian-firepower, Widmark's character proved to be the axis on which the drama turned.

A little later, Widmark appeared in two Westerns directed by the great 'John Ford', with co-star 'James Stewart' in "Two Rode Together" (1961) and as the top star in Ford's apologia for Indian genocide, "Cheyenne Autumn' (1964). On "Two Rode Together", Ford feuded with Jimmy Stewart over his hat. Stewart insisted on wearing the same hat he had for a decade of highly successful Westerns that had made him one of the top box office stars of the 1950s. Both he and Widmark were hard-of-hearing (as well as balding and in need of help from the makeup department's wig-makers), so Ford would sit himself far away from them while directing scenes and then give them directions in a barely audible voice. When neither one of the stars could hear their director, Ford theatrically announced to his crew, that after over 40 years in the business, he was reduced to directing two deaf toupees. It was testimony to the stature of both Stewart and Widmark as stars that this was as far as Ford's baiting went, as the great director could be extraordinarily cruel.

Widmark continued to co-star in A-pictures through the 1960s. He capped off the decade with one of his finest performances, as the amoral police detective in 'Don Siegel''s gritty cop melodrama "Madigan" (1968). Watching "Madigan", one can see Widmark's characters as a progression in the evolution of what would become the late 1960s nihilistic anti-hero, such as those embodied by Clint Eastwood in Siegel's later "Dirty Harry" (1971_.

Im the 1970s, he continued to make his mark in movies and, beginning in 1971, in television. In movies, he appeared primarily in supporting roles, albeit in highly billed fashion, in such films as Sidney Lumet's "Murder on the Orient Express", Robert Aldrich's "Twilight's Last Gleaming", and Stanley Kramer's "The Domino Theory" (1977). He even came back as a heavy, playing the villainous doctor in "Coma" (1978). In 1971, in search of better roles, he turned to television, starring as the President of the U.S. In the TV movies " Vanished." His performance in the role brought Widmark an Emmy nomination. He resurrected the character of Madigan for NBC, in six 90-minute episodes that appeared as part of the rotation of "NBC Wednesday Mystery Movie" for the Fall 1972 season. Widmark was married for 55 years to playwright Jean Hazlewood, from 1942 until her death in 1997 (they had one child, Anne, who was born in 1945). He lived quietly and avoided the press, saying in 1971, "I think a performer should do his work and then shut up.". "Los Angeles Times" critic Kevin Thomas thought that Widmark should have won an Oscar nomination for his turn in "When the Legends Die" (1972, playing a former rodeo star tutoring 'Frederic Forrest'. It is surprising to think that "Kiss of Death" represented his sole Oscar nomination, but with the rise of the respect for film noir around the time his career began tapering off in 70s, he began to be reevaluated as an actor. Unlike Bogart, who did not live to see his reputation flourish after his death, well before he retired, Widmark became a cult figure.

IMDb Mini Biography By: Jon C. Hopwood